Freude! Freude! Douglas Hyde Gallery, Dublin - October 2023
The Possession Project - LIVE @ The Hugh Lane Gallery, Dublin
14 - 18 June 2022 12 - 3pm daily
a new living installation in collaboration with Alvean Jones, Lianne Quigley
The Drama Students of the SETU & The Dublin Theatre of the Deaf
The Drama Students of the SETU & The Dublin Theatre of the Deaf
The ladder is always there, 2018, Amanda Coogan + Phase Eight Theatre Company for MOCA, Jacksonville
The Naked Hands written by Jane O'Brien and Paula Clarke for the Lyric Theatre, Belfast
Gnawing on the bones - reflections on Beuys for the Hugh Lane Gallery's study morning - January 2022
They Come Then, The Birds @Rua Red, Tallaght, Dublin www.ruared.ie
As Galleries, exhibitions and Live Performances are on hold I've gone back to the 'drawing board'.
I'm dreaming, remembering, enduring and waiting.
Enduring becomes dreaming.
I wait more.
I watch more.
Some links above to recent work - click on the image.
I'm dreaming, remembering, enduring and waiting.
Enduring becomes dreaming.
I wait more.
I watch more.
Some links above to recent work - click on the image.
Bread & Roses, for This Place
@ the Millennium Court Arts Centre, Portadown January - March 2020
Programme Notes: Case studies for locating experimental theatre
Edited by Lois Keidan and CJ Mitchell. CO-PUBLISHED BY OBERON BOOKS & LIVE ART DEVELOPMENT AGENCY
This revised and expanded edition includes the original contributions whilst illustrating some of the seismic shifts that have taken place across the theatre landscape of the UK since 2007 through profiles of the work of Manchester International Festival (with new contributions by Marina Abramovic, Alex Poots and Amanda Coogan), National Theatre of Scotland (Vicky Featherstone and Mary Brennan), BAC (Battersea Arts Centre; David Micklem and David Jubb) and Forest Fringe (Andy Field and Deborah Pearson). Programme Notes is a collection of commissioned essays, case studies and interviews reflecting the exciting and complex relationships between ‘mainstream’ stages and ‘experimental’ theatre practices.
Edited by Lois Keidan and CJ Mitchell. CO-PUBLISHED BY OBERON BOOKS & LIVE ART DEVELOPMENT AGENCY
This revised and expanded edition includes the original contributions whilst illustrating some of the seismic shifts that have taken place across the theatre landscape of the UK since 2007 through profiles of the work of Manchester International Festival (with new contributions by Marina Abramovic, Alex Poots and Amanda Coogan), National Theatre of Scotland (Vicky Featherstone and Mary Brennan), BAC (Battersea Arts Centre; David Micklem and David Jubb) and Forest Fringe (Andy Field and Deborah Pearson). Programme Notes is a collection of commissioned essays, case studies and interviews reflecting the exciting and complex relationships between ‘mainstream’ stages and ‘experimental’ theatre practices.
Irish Stamp Collection
An Post, the Irish Postal service, printed a booklet of stamps celebrating Irish Contemporary Artists which included Coogan's The Fall, 2009
An Post Collections
An Post, the Irish Postal service, printed a booklet of stamps celebrating Irish Contemporary Artists which included Coogan's The Fall, 2009
An Post Collections
The Huffington Post
Thank you to the lovely Huffington Post, for including Amanda's work in their look at Irish Artists;
Irish Artists: Celebrating St. Patrick's Day With Our 5 Favorite Irish Aesthetes
they link to video footage of Yellow in Artists Space, New York, with some great company too!
Thank you to the lovely Huffington Post, for including Amanda's work in their look at Irish Artists;
Irish Artists: Celebrating St. Patrick's Day With Our 5 Favorite Irish Aesthetes
they link to video footage of Yellow in Artists Space, New York, with some great company too!
